Antique Ca 1730 Qing Dynasty Chinese Porcelain Plate Dish Family Life

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Condition Report: Large restored section, a chip and some frits. Size: 23CM Diameter

Sharing with you this very nicely Dutch decorated Chinese Porcelain plate. What you see is a Jingdezhen made porcelain plate from around 1730-1750. Later decorated in Holland

The image depicts a family scene, with a woman holding a child’s hand and a man standing next to her, all in 18th-century clothing. Such imagery is typical of Delftware or other European ceramics from the 1700s, often inspired by contemporary prints and engravings of the time.

These kinds of genre scenes were frequently based on popular engraved prints that circulated in Europe, particularly in the Netherlands, France, and England during the 17th and 18th centuries. They reflected everyday life, family values, and societal roles, which were then adapted for decorative purposes on objects like porcelain and ceramics.

It’s possible that this scene is derived from one of those widely circulated engravings or prints that focused on family life, which was a popular theme in the decorative arts. Artists like Jan van der Heyden or Nicholas Visscher, or even French Rococo engravers, often produced such works. The subject matter aligns with the Enlightenment era‘s focus on the importance of family, domestic life, and moral values.

A scene from around 1750 where a woman holds a man by his arm, a child stands next to her with their hand raised holding something, and the woman places her hand on the child’s head while looking at the man, who in turn looks at the child, likely holds symbolic and emotional meaning. In artworks from this period, these elements could refer to themes such as family bonds, care, responsibility, and inheritance.

Possible Interpretations:

1. Family and Care:
   • The interaction between the man, woman, and child suggests a family setting. The woman holding the man’s arm could symbolize her role as a supporter or helper, reminding him of his responsibilities within the family. Her hand on the child’s head can be a sign of maternal care and protection.
   • The woman looking at the man and the man looking at the child could symbolize the transfer of care and responsibility from the parents to the next generation. This could be interpreted as the man acknowledging his role as a caregiver and protector.
2. Inheritance and the Transfer of Knowledge or Values:
   • The child with their hand raised, holding something, may symbolize the transfer of a value or gift, possibly something material, like an object, or something symbolic, like knowledge or the inheritance of family honor and tradition. In the 18th century, there was a strong emphasis on the role of parents in passing down values and traditions to the next generation.
   • The woman in this scene seems to play a mediating role, connecting the man and the child. Her hand on the child’s head could suggest her involvement in the child’s upbringing and protection, while also reminding the man of his responsibility as a father or husband.
3. Symbolism of Obligation and Duty:
   • In a broader symbolic sense, this scene could refer to obligations within marriage and parenthood. The woman holding the man could symbolize the bond within the marital relationship, while the child represents their shared responsibility. The fact that the man is looking at the child may imply that he is aware of his role and duties within the family.

Conclusion:

This scene can be interpreted as a representation of family unity, duty, and the transfer of care, values, or property to the next generation. The focus on the interaction between the parents and the child suggests a moment of reflection on parental responsibility within the family, with the woman playing a mediating and supportive role. The child with their hand raised could be a central symbol of the next generation, receiving something valuable from the parents.

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